Eva Victor: The “Superstar” Rejecting Comparisons and Redefining Cinema
The film industry loves a label. A new director bursts onto the scene, and immediately, the hunt for comparisons begins. They are hailed as “the next” someone else, their work slotted into neat, marketable categories. Eva Victor, the co-writer, director, and star of the groundbreaking new black comedy Sorry, Baby, is having none of it. This multifaceted artist is enjoying a meteoric rise, not by fitting into a box, but by shattering it entirely. Garnering acclaim at Sundance and Cannes, and declared a “superstar” by critics, Victor’s journey is a testament to the power of an authentic voice in a world of echoes.
Eva Victor: The Unhelpful (But Flattering) Nature of Comparisons
Upon the release of Sorry, Baby, a wave of praise washed over Eva Victor, but it came with a familiar tide: comparisons to Phoebe Waller-Bridge, Michaela Coel, and Greta Gerwig. For many, this would be the ultimate compliment. For Victor, it’s a nuanced and complex issue. They have publicly acknowledged the honor of being mentioned alongside their idols, stating, “that part of the comparison means everything,” and that these are “people I desperately look up to.” However, Victor is quick to point out the limitations of this industry reflex. “I think maybe comparisons aren’t ultimately so helpful,” they explained on Sky News. As a non-binary person who uses they/she pronouns, Victor finds the binary nature of these comparisons particularly interesting, noting how people are often “pretty interested in putting me in a category of women.” They rightly point out a double standard, asking why male directors who act, like Denzel Washington or Albert Brooks, aren’t subjected to the same gendered categorizations.
“My Soul on the Page”: The Heart of ‘Sorry, Baby’
Sorry, Baby is not your typical trauma narrative. The film follows Agnes, a New England literature scholar, as she painstakingly reconstructs her life after an off-screen assault, referred to only as “the awful thing.” This event is the catalyst, not the centerpiece, of the story. Victor approached this sensitive subject with a clear and powerful intention: to focus on healing, not on depicting violence. They describe the writing process as putting their “soul on the page,” an intensely exposing endeavor. The result is a film that tackles a “big, big societal tragedy” – violence against women – with unprecedented gentleness and a sharp, punching-up humor. It’s a story labeled less about violence and more about love, focusing on the quiet, often absurd journey of putting oneself back together.
Eva Victor: A Scathing Yet Gentle Critique of Failing Systems
One of the film’s most powerful elements is its critique of the institutions that are meant to help but so often fail. The narrative illustrates, with devastating clarity, how a hospital and a university can completely fail to address abuse in a holistic way, if they acknowledge it at all. These sequences are not portrayed with explosive anger, but with a restrained, observational gentleness that makes the critique even more potent. Victor uses humor in these scenes as a precise weapon, a way of “punching up at people in power” and the institutions that make life difficult for survivors. This approach avoids sensationalism and instead offers a relatable, and often painfully funny, look at systemic failure.
Why Eva Victor’s Voice is Exactly What Cinema Needs Now
In an era of ongoing cultural reckoning, with figures like Harvey Weinstein and P. Diddy dominating headlines, one might expect Victor to become a vocal advocate for the #MeToo movement. However, true to their authentic form, they resist this prescribed role. Their work is the advocacy. Sorry, Baby does the talking. By choosing to focus on the nuanced, individual path of healing rather than the spectacle of trauma or the drama of public condemnation, Eva Victor offers a fresh and desperately needed perspective. They are not the next anyone. Eva Victor is a definitive, original voice for a new generation of cinema—one that prioritizes truth, healing, and audacious creativity over easy labels. Their film is a triumphant must-see not for who it reminds you of, but for the singular, powerful vision it represents.
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Reference Website:
https://news.sky.com/story/eva-victor-the-superstar-who-rose-to-fame-creating-viral-videos-on-new-film-sorry-baby-and-comparisons-to-phoebe-waller-bridge-13414685
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